Hollywood Theatre

One Flew Over the Cuckoo's Nest

While serving time for insanity at a state mental hospital, implacable rabble-rouser Randle Patrick McMurphy (Jack Nicholson) inspires his fellow patients to rebel against the authoritarian rule of head nurse Mildred Ratched (Louise Fletcher). This Milos Forman masterpiece was the first film since It Happened One Night (1934) to take all five major Oscar prizes for picture, director, screenplay, actor (Nicholson) and actress (Fletcher).

The Thomas Crown Affair

Thomas Crown (Steve McQueen) is a self-made Boston millionaire who masterminds a bank heist in hopes of leaving it all behind. Tired of being part of the Establishment, he has hopes of pulling off the caper and flying to Rio. Erwin Weaver (Jack Weston) leads the cast of crooks who never actually meet Crown but manage to pull off the robbery without a hitch. Crown deposits 3 million in a Swiss bank account, pays off the crooks, and waits for the insurance company to repay the bank for the loss. Eddy Malone (Paul Burke) is the savvy detective who helps insurance investigator Vicky Anderson (Faye Dunaway) find the mastermind behind the heist. Thomas Crown Affair became one of the first films to employ many split-screen images throughout its running time, as devised by editor Hal Ashby. Michel Legrand's score was nominated for an Academy Award, and the song The Windmills Of Your Mind, written by Legrand with Alan and Marilyn Bergman took home the coveted Oscar.

Goodbye Again

In this adaptation of Francoise Sagan's best selling novel, Paula is a beautiful, 40-year old, highly successful businesswoman. She is deeply in love with Roger, her mature consort of five years. Roger is a very charming "gallant" who loves Paula but is too selfish to give up his freedom to be promiscuous. When Paula meets Phillip, the 24-year old, immature, lawyer son of one of her rich clients, he falls hopelessly in love with the glamorous, sympathetic older woman and insists that the age difference will be no barrier to a romance. Paula resists the young man's persistent advances, but finally succumbs when Roger initiates yet another affair with one of his young "Maisies." An affair begins, and society does not approve.

Arthur

Arthur is a sweet but wildly irresponsible playboy whose millions have left him lonely and with no motivation in life. On the threshold of an arranged marriage with a simpering socialite whom he does not love, Arthur meets the spunky, blue-collar waitress Linda Marolla, and falls head over heels. However, just as he begins to pursue a relationship with Linda, his father and iron-willed grandmother threaten to pull the plug on his huge inheritance if he doesn't honor his position in life and go through with his marriage. Arthur must decide which is more important to him: his new love, or his 750 million dollars in the bank.

Anastasia

Ingrid Bergman stars as Anna Corev, an amnesiac woman who has been released from an asylum in Bucharest and is wandering the streets of Paris in 1928. About to kill herself by throwing herself into the Seine, she is saved by Bounin (Yul Brynner) a Russian general in exile. Bounin is seeking a woman to impersonate Grand Duchess Anastasia, the daughter of the murdered Tsar of Russia who has long been rumoured to have survived the revolution, in order to claim a substantial inheritance. Tired and alone, Anna agrees to let Bounin with his associates Chernov (Akim Tamiroff) and Petrovin (Sascha Pitoeff) train her in the ways of Russian royalty in order to claim the prize. Anna will have to convince many exiled members of the Russian nobility of her claim, but most are reluctant to accept her even though a few start to believe. It is decided that the most effective way to end the argument once and for all is for Anna to convince the Dowager Empress of Russia (Helen Hayes), but she has seen many girls claiming to be Anastasia and is now refusing to meet any more. Anna and Bounin set out for Copenhagen to seek an audience with her, knowing that she will be hard to convince. But things are becoming more complicated – Bounin is getting increasingly enamoured of his charge, and to confuse him further he is starting to wonder if Anna might not really be Anastasia. 'Anastasia' is a romantic fantasy rather than an accurate historical piece, and on that level it is spectacular. Sumptuous, beautiful to look at and meticulous in its detail, it is an example of very fine filmmaking. However high the production values, it is the cast that carries this film, with outstanding performances all round. Ingrid Bergman shows great depth and quality as Anna, while Yul Brynner is the perfect romantic lead. Nearly fifty years old, the film has hardly dated at all and stands up well to the test of time.

Four Weddings and a Funeral

This acclaimed British comedy centers on the intermittent romance between a charming (if slightly bumbling) Englishman and a beautiful American woman, who seem to always run into each other at weddings. Indeed, it is at the first of the title's four weddings that Charles (Hugh Grant) and Carrie (Andie McDowell) meet, enjoying a brief but fleeting connection. The spark is rekindled several months later, when they unexpectedly meet at another wedding. Unfortunately, however, Carrie has become engaged to another, a fact that complicates matters for them both. The story may seem simple, but the film is elevated by screenwriter Richard Curtis' ear for witty dialogue and a colorful supporting cast. Director Mike Newell's sympathetic attention to character keeps the proceedings believable, and prevents the film's more serious moments from seeming mawkish. These elements, along with Grant's star-making performance as Charles, helped the film achieve unexpected international success, including an Academy Award nomination for Best Picture.

Dressed to Kill

One of Brian De Palma's most divisive films, Dressed to Kill is a spine-chilling Alfred Hitchcock update for the late 1970s. Sexually frustrated wife and mother Kate Miller (Angie Dickinson) visits her New York psychiatrist, Dr. Elliott (Michael Caine), to complain about her unfulfilling erotic life. When she then goes to meet her husband at a museum, she meets an anonymous man whom she follows out to a cab. After an afternoon of satisfying sex, Kate discovers that the man has a venereal disease, but that information becomes a moot point when a razor-wielding blonde woman slashes Kate to ribbons in the elevator of the man's building. Blonde prostitute Liz (Nancy Allen), who caught a glimpse of the murderer, becomes both the prime suspect and the killer's next target. With the police less than willing to believe her story, Liz joins forces with Kate's son Peter (Keith Gordon) to get the psychopath themselves. Steamy material cut to get an R-rating was restored on the unrated laser disc version.

The Nun's Story

Audrey Hepburn stars in The Nun's Story as Sister Luke, postulant of a Belgian order of nuns. Though frequently disillusioned in her efforts to spread good will -- at one point she is nearly killed by a mental patient (Colleen Dewhurst) -- Sister Luke perseveres. Sent as a nurse to the Belgian Congo, an assignment she'd been hoping for, Sister Luke is disappointed to learn that she will not be ministering to the natives but to European patients. Through the example of no-nonsense chief surgeon Peter Finch, the nun sheds her idealism and becomes a diligent worker -- so much so that she contracts tuberculosis. Upon the outbreak of World War II, Sister Luke tries to honor the edicts of her order and not take sides, but this becomes impossible when her father (Dean Jagger) is killed by the Nazis. Realizing that she cannot remain true to her vows, Sister Luke leaves the order and returns to "civilian" life. The Nun's Story ends with a long, silent sequence in which Sister Luke divests herself of her religious robes, dons street garb, and walks out to an uncertain future. There is no background music: director Fred Zinnemann decided that "triumphant" music would indicate that Sister Luke's decision was the right one, while "tragic" music would suggest that she is doing wrong. Rather than make an editorial comment, the director decided against music, allowing the audience members to fill in the blanks themselves. The Nun's Story is based on the book by Kathryn Hulme, whose depiction of convent life was a lot harsher and more judgmental than anything seen in the film.

A Shot in the Dark

A murder has been committed at the palatial Parisian residence of Benjamin Ballon (George Sanders). All the evidence points to sexy, wide-eyed housemaid Maria Gambrelli (Elke Sommer). Police inspector Dreyfuss (Herbert Lom) is prepared to make an arrest -- and then the gloriously, monumentally inept Inspector Clouseau (Peter Sellers) arrives on the scene. Clouseau may have difficulty getting through the day without falling into ponds, knocking people cold with opened doors, and pocketing flaming cigarette lighters, but his instincts are right on target when he decides that Mme. Gambrelli is being framed by someone else in the Ballon household. Even as the murder victims pile up, Clouseau is determined to prove Mme. Gambrelli's innocence. As he cuts a bumbling, destructive swath through Paris, Clouseau drives Dreyfuss literally insane. This fact leads to the literally explosive climax, and to the ultimate vindication of Mme. Gambrelli. While we first met Inspector Clouseau in The Pink Panther, Shot in the Dark is the film that truly established the Clouseau mythos: the festive clumsiness, the convoluted dialogue ("You shot him in a rit of fealous jage!"), the Fractured French ("A beump on zee head!"), the twitching lunacy of poor Inspector Dreyfuss, the unexpected "judo lessons" of Clouseau's houseboy Kato (Burt Kwouk), and of course the hilariously macabre jokes involving dead or seriously injured bystanders. You'd never know it, but A Shot in the Dark was inspired by a standard three-act stage comedy by Harry Kurnitz, which in turn was adapted from the French play L'Idiote by Marcel Achard.

The Music Man

Meredith Wilson's hit 1957 Broadway musical was transferred to the screen in larger-than-life fashion in 1962. Robert Preston repeats his legendary stage performance as fast-talking con man Harold Hill, who goes from town to town selling citizens on starting a "boy's band," then extracts money from them by ordering instruments and uniforms, with the promise that he'll teach the kids how to be musicians. Once he's collected his bankroll, Hill skips town, leaving the kids in the lurch. Looking for new suckers in Iowa, Hill arrives in River City, where he declares that the only way to save the youth of River City from the lure of the poolroom is to organize a boy's band. He charms the mayor's wife Eulalie (Hermione Gingold) into forming a "ladies' dance committee" and sets his sights on winning over local music teacher Marian Paroo (Shirley Jones). Marian rightly considers Hill a fraud, especially when he espouses the "Think System" of learning music: if you think a tune, he claims, you can play it. But Marian becomes Hill's staunchest ally when her young brother Winthrop (Ronny Howard), sullen and withdrawn since the death of his father, exuberantly comes out of his shell at the prospect of joining Hill's band; and Marian's budding romance with the charming but unreliable Hill ultimately brings her out of her own shell as well. Marion Hargrove's script uses most of the original play, with a handful of amusing expansions, especially in the roles played by Gingold and by Buddy Hackett as Hill's comic sidekick.

Annie Get Your Gun

Judy Garland was originally slated to star in MGM's film version of Irving Berlin's Annie Get Your Gun, but she was forced to pull out of the production due to illness (recently discovered out-takes reveal a gaunt, dazed Garland, obviously incapable of completing her duties). She was replaced by Betty Hutton who, once she overcame the resentment of her co-workers, turned in an excellent performance--perhaps the best of her career. Hutton is of course cast as legendary sharpshooter Annie Oakley, who ascends from dirty-faced backwoods gamin to the uppermost rungs of international stardom. Her mentor is Buffalo Bill, played by Louis Calhern (like Hutton, Calhern was a last-minute replacement: the original Buffalo Bill, Frank Morgan, died before production began). Annie's great rival is arrogant marksman Frank Butler (Howard Keel) with whom she eventually falls in love. She goes so far as to lose an important shooting match to prove her affection--a scene that hardly strikes a blow for feminism, but this is, after all, a 1950 film. Of the stellar supporting cast, J. Carroll Naish stands out as Sitting Bull, whose shrewd business acumen is good for several laughs. Virtually all the Irving Berlin tunes were retained from the Broadway version, including "Doin' What Comes Naturally", "You Can't Get a Man with a Gun", "Anything You Can Do", "The Girl That I Marry", "My Defenses are Down", "They Say It's Wonderful" and the rousing "There's No Business Like Show Business", which was later tantalizingly excerpted in MGM's pastiche feature That's Entertainment II. Alas, due to a complicated legal tangle involving the estates of Irving Berlin and librettists Herbert Fields and Dorothy Fields, Annie Get Your Gun hasn't been shown on television in years.

After the Thin Man

This second of MGM's Thin Man films reteams William Powell and Myrna Loy as, respectively, bibulous private detective Nick Charles and his socialite wife Nora. The Charleses are sucked into another murder case via Nick's lovely cousin Elissa Landi, whose husband Alan Marshall has vanished. Hubby has been conducting an affair with nightclub thrush Dorothy McNulty (later known as Penny Singleton) and is also blackmailing gangsterish Joseph Calleia. When the corpses begin piling up, Nick and Nora try to piece the clues together, with the earnest assistance of Jimmy Stewart, who carries a torch for Landi. You won't believe who turns out to be the murderer in this one--then again, given the plot's strict adherence to "least likely suspect" formula, you probably will.

Thelma and Louise

Geena Davis and Susan Sarandon play Thelma and Louise, two working-class friends who together have planned a weekend getaway from the men in their lives. Thelma's husband, Darryl (Chris McDonald), is an overbearing oaf, and Louise's boyfriend, Jimmy (Michael Madsen), simply will not commit. Though the road trip starts out as a good time, the pair eventually wind up at a bar. A tipsy Thelma ends up in the parking lot of the bar with a would-be rapist. Louise shoots the man dead. The two decide that they have no choice but to go on the run. They eventually meet up with a young criminal named J.D. (Brad Pitt), whose cowboy spirit rubs off on the timid Thelma. The pair is pursued by a police officer (Harvey Keitel) sympathetic toward their plight. He chases them to the Grand Canyon, where the women make a fateful decision about their lives. Directed by Ridley Scott, Thelma & Louise brought first-time screenwriter Callie Khouri many accolades including the Oscar for Best Original Screenplay.

The Dirty Dozen

Director Robert Aldrich took what he considered a hopelessly old-fashioned script by Lukas Heller and Nunnally Johnson and fashioned The Dirty Dozen into one of MGM's biggest moneymakers of the 1960s--and the sixth highest-grossing film in the studio's history. Lee Marvin plays Major Reisman, assigned to coordinate a suicide mission on a French chateau held by top Nazi officers. Since no "normal" GI can be expected to volunteer for this mission, Reisman is compelled to draw his personnel from a group of military prisoners serving life sentences. This "dirty dozen" includes a sex pervert (Telly Savalas), a psycho (John Cassavetes), a retarded killer (Donald Sutherland), and the equally malevolent Charles Bronson, Trini Lopez, Jim Brown, and Clint Walker. On the dim promise of receiving pardons if they survive, the criminals undergo a brutal training program, then are marched behind enemy lines dressed as Nazi soldiers, the better to overtake the chateau and kill everyone in it--including the innocent wives and mistresses of the German officers.

The Razor's Edge (1946)

After several years' service with the Marines in World War II, Tyrone Power made his much anticipated return to the screen in The Razor's Edge. Power is appropriately cast as disillusioned World War I vet Larry Darrell, who returns from hostilities questioning his old values. To find himself, Larry joins several other members of the Lost Generation in Paris. He is disillusioned once more when the society deb whom he loves, Isabel Bradley (Gene Tierney), marries another for wealth and position. She returns to Larry's life to break up his romance with unstable, alcoholic Sophie MacDonald (Anne Baxter in a powerhouse Oscar-winning performance). After Sophie's death, Larry determines that the life offered him by Isabel is not to his liking, and continues seeking his true place in the scheme of things. Acting as a respite between the plot's various intrigues is Clifton Webb as a waspish social arbiter, who ends up a lonely, dying man, imperiously dictating arrangements for his own funeral. The Razor's Edge was based on the novel by W. Somerset Maugham, who appears onscreen in the form of Herbert Marshall. The film would be remade in 1984, with Bill Murray in the Tyrone Power role. This film re-teamed Tierney and Webb two years after their appearance together in Laura.

Mississippi Burning

Mississippi Burning is an all-names-changed dramatization of the Ku Klux Klan's murders of three civil rights workers in 1964. Investigating the mysterious disappearances of the three activists are FBI agents Gene Hackman (older, wiser) and Willem Dafoe (younger, idealistic). A Southerner himself, Hackman charms and cajoles his way through the tight-lipped residents of a dusty Mississippi town while Dafoe acts upon the evidence gleaned by his partner. Hackman solves the case by exerting his influence upon beauty-parlor worker Frances McDormand, who wishes to exact revenge for the beatings inflicted upon her by her Klan-connected husband Brad Dourif. Many critics took the film to task for its implication that the Civil Rights movement might never have gained momentum without its white participants; nor were the critics happy that the FBI was shown to utilize tactics as brutal as the Klan's. The title Mississippi Burning is certainly appropriate: nearly half the film is taken up with scenes of smoke and flame.

All About Eve

Based on the story The Wisdom of Eve by Mary Orr, All About Eve is an elegantly bitchy backstage story revolving around aspiring actress Eve Harrington (Anne Baxter). Tattered and forlorn, Eve shows up in the dressing room of Broadway mega-star Margo Channing (Bette Davis), weaving a melancholy life story to Margo and her friends. Taking pity on the girl, Margo takes Eve as her personal assistant. Before long, it becomes apparent that naïve Eve is a Machiavellian conniver who cold-bloodedly uses Margo, her director Bill Sampson (Gary Merill), Lloyd's wife Karen (Celeste Holm), and waspish critic Addison De Witt (George Sanders) to rise to the top of the theatrical heap. Also appearing in All About Eve is Marilyn Monroe, introduced by Addison De Witt as "a graduate of the Copacabana school of dramatic art." This is but one of the hundreds of unforgettable lines penned by writer/director Joseph L. Mankiewicz, the most famous of which is Margo Channing's lip-sneering admonition, "Fasten your seat belts. It's going to be a bumpy night." All About Eve received 6 Academy Awards, including Best Picture.

Gorky Park

In the dead of a Moscow winter, three bodies are found in Gorky Park. Police Inspector Renko (William Hurt) is unable to identify the corpses, since even their fingerprints have removed. For reasons unknown to him, Renko's investigation is somehow being stymied by his higher-ups. Ferreting out information on his own, Renko makes the acquaintance of Soviet dissident Irina (Joanna Pacula), a friend of one of the victims, and Lee Marvin as Armand Hammer-style American businessman. As in Martin Cruz Smith's novel, the identity of the killer is not as well hidden as the reasons behind the killing. "Glasnost" had not yet taken effect in 1983, thus Gorky Park was filmed in Finland rather than Russia. ~ Hal Erickson, Rovi

Unforgiven

Retired gunslinger William Munny (Clint Eastwood) reluctantly takes one last job -- and even more reluctantly accepts a boastful youth (Jaimz Woolvett) as a partner. Together, they learn how easily complicated truths are distorted into simplistic myths about the Old West. Gene Hackman (who won an Oscar) and Richard Harris stand out as old foes who have an unhappy reunion. The film also earned Oscars for Best Picture and Best Director (Eastwood).

Mrs. Doubtfire

Robin Williams learns that keeping in touch with his children can be a drag in this hit comedy. Daniel Hillard (Williams) is an eccentric actor who specializes in dubbing voices for cartoon characters. Daniel is a kind man and a loving father, but he's a poor disciplinarian and a shaky role model. After throwing an elaborate and disastrous birthday party for his son, Daniel's wife Miranda (Sally Field) reaches the end of her patience and files for divorce. Daniel is heartbroken when Miranda is given custody of the children, and he's only allowed to visit them once a week. Determined to stay in contact with his kids, Daniel learns that Miranda is looking for a housekeeper, and with help from his brother Frank (Harvey Fierstein), a makeup artist, Daniel gets the job disguised as Mrs. Iphegenia Doubtfire, a stern but caring Scottish nanny. Daniel pulls off the ruse so well that neither his ex-wife nor his children recognize him, and in the process, he learns how to be the good parent he should have been all along. However, Daniel also has to deal with the little matter of Miranda's new boyfriend, Stu (Pierce Brosnan).

Crossing Delancey

Can an independent, contemporary woman find happiness with a guy who sells pickles? Isabelle Grossman (Amy Irving) is an attractive, intelligent Jewish woman in her early 30s. She has a good job and a nice apartment on the Upper West Side, and she values her independence; she often visits her grandmother Bubbie (Reiz Bozyk), who lives on the Lower East Side and wants Isabelle to meet a nice Jewish man and settle down. Bubbie goes so far as to obtain the services of Hannah Mandelbaum (Sylvia Miles), a matchmaker who finds the "perfect" man for Isabelle: a pickle salesman named Sam Posner (Peter Riegert). Isabelle thinks Sam is a nice enough guy, but she has a hard time imagining herself spending her life with the pickle man, and she isn't sure if she wants to pursue the relationship. However, Sam is taken with Isabelle and goes out of his way to change her mind. Crossing Delancy was directed by Joan Micklin Silver, whose breakthrough film Hester Street also examined Jewish culture on the Lower East Side, albeit from the vantage point of the 1890s.

Heaven Can Wait

On the day of his death in 1943, the spirit of Henry Van Cleave (Don Ameche) obligingly heads for the place where so many people had previously told him to go. The immaculately dressed septuagenarian arrives at the outer offices of Hades, where he is greeted by His Excellency (Laird Cregar), the most courteous and gentlemanly Satan in screen history. His Excellency doubts that Van Cleave has sinned enough to qualify for entrance into Hades, but Henry insists that he's led the most wicked of lives, and proceeds to tell his story. Each milestone of Henry's life, it seems, has occurred on one of his birthdays. Upon reaching 15, Henry (played as a teenager by Dickie Moore) naively permits himself to get drunk with and be seduced by his family's French maid (Signe Hasso). At 21, Henry elopes with lovely Martha Strabel (Gene Tierney) stealing her away from her stuffy fiance Albert Van Cleve (Allyn Joslyn), Henry's cousin. At 31, Henry nearly loses Martha when, weary of his harmless extracurricular flirtations, she goes home to her boorish parents (Eugene Pallette and Marjorie Main). Henry's grandpa (Charles Coburn) orders the errant husband not to let so wonderful a girl as Martha get away from him. Henry once more declares his love to Martha, and she can't help but be touched by his boyish sincerity. Twenty years later, Henry, now a faithful and proper husband and father, attempts to charm a beautiful musical-comedy entertainer (Helen Walker) so that she'll forsake his young and impressionable son. But Henry's gay-90s romantic approach is out of touch with the Roaring 20s, and he ends up paying the entertainer a tidy sum to rescue his son--a fact that amuses Henry's understanding wife Martha, who now knows that her husband is hers and hers alone. Ten more years pass: Henry dances a last waltz with Martha, whose loving smile hides the fact that she knows she hasn't much longer to live. Five years later, it is "foxy grandpa" Henry who must be kept in check by his conservative son Jack (Michael Ames). Finally, it is 1943: as he quietly drinks in the loveliness of his night nurse (Doris Merrick), the bedridden Henry contentedly breathes his last. His story told, Henry once again asks to be permitted to enter Hades. But His Excellency, realizing that the only "sin" Henry has truly committed is attempting to live life to the fullest, quietly replies "If you'll forgive me, Mr. Van Cleave, we just don't want your kind down here." While he allows that Henry may have some trouble getting past the Pearly Gates, the wait will be worth it, since his loving wife Martha will be waiting for him. His Excellency cordially escorts Henry to the elevator, giving the operator a one-word instruction: "Up." A charming delight from first frame to last, Heaven Can Wait is another winner from director Ernst Lubitsch, and his first in Technicolor. Samson Raphaelson's screenplay was based on Birthdays, a play by Laslo Bus-Fekete.

The Entertainer

Laurence Olivier recreates his stage role of Archie Rice in this in-your-face film adaptation of John Osborne's play. The son of a legendary music hall comedian (Roger Livesey), Archie is strictly a third-rater, headlining a tacky music hall revue in a seedy seaside resort town. Archie can't admit that he's a failure, and his grim insouciance destroys everyone around him. Archie finagles his dying father into financing one last revue; he cheats shamelessly on his alcoholic wife (Brenda De Banzie); and he all but forces one of his sons (Albert Finney) to run off to join the army, only to die in the Suez. Through all his personal crises, Archie jigs and jabbers before his ever-diminishing audience, but by the end of the film he isn't even entertaining himself. Joan Plowright, who married Olivier shortly after completing The Entertainer, plays the film's one sympathetic character: Archie's daughter, whose love for her father blinds her to his flaws. The Entertainer was remade for television in 1976, with Jack Lemmon as Archie Rice and original songs by Marvin Hamlisch.

Doctor Zhivago

Based on the Nobel Prize-winning novel by Boris Pasternak, Doctor Zhivago covers the years prior to, during, and after the Russian Revolution, as seen through the eyes of poet/physician Yuri Zhivago (Omar Sharif). In the tradition of Russian novels, a multitude of characters and subplots intertwine within the film's 197 minutes (plus intermission). Zhivago is married to Tonya (Geraldine Chaplin), but carries on an affair with Lara (Julie Christie), who has been raped by ruthless politician Komarovsky (Rod Steiger). Meanwhile, Zhivago's half-brother Yevgraf (Alec Guinness) and the mysterious, revenge-seeking Strelnikoff (Tom Courteney) represent the "good" and "bad" elements of the Bolshevik revolution. Composer Maurice Jarre received one of Doctor Zhivago's five Oscars, with the others going to screenwriter Robert Bolt, cinematographer Freddie Young, art directors John Box and Terry Marsh, set decorator Dario Simoni, and costumer Phyllis Dalton. The best picture Oscar, however, went to The Sound of Music.

Bonnie and Clyde

Producer/star Warren Beatty had to convince Warner Bros. to finance this film, which went on to become the studio's second-highest grosser. It also caused major controversy by redefining violence in cinema and casting its criminal protagonists as sympathetic anti-heroes. Based loosely on the true exploits of Clyde Barrow and Bonnie Parker during the 30s, the film begins as Clyde (Beatty) tries to steal the car of Bonnie Parker (Faye Dunaway)'s mother. Bonnie is excited by Clyde's outlaw demeanor, and he further stimulates her by robbing a store in her presence. Clyde steals a car, with Bonnie in tow, and their legendary crime spree begins. The two move from town to town, pulling off small heists, until they join up with Clyde's brother Buck (Gene Hackman), his shrill wife Blanche (Estelle Parsons), and a slow-witted gas station attendant named C.W. Moss (Michael J. Pollard). The new gang robs a bank and Clyde is soon painted in the press as a Depression-era Robin Hood when he allows one bank customer to hold onto his money. Soon the police are on the gang's trail and they are constantly on the run, even kidnapping a Texas Ranger (Denver Pyle) and setting him adrift on a raft, handcuffed, after he spits in Bonnie's face when she kisses him. That same ranger leads a later raid on the gang that leaves Buck dying, Blanche captured, and both Clyde and Bonnie injured. The ever-loyal C.W. takes them to his father's house. C.W.'s father disaproves his son's affiliation with gangsters and enters a plea bargain with the Texas Rangers. A trap is set that ends in one of the bloodiest death scenes in cinematic history. The film made stars out of Beatty and Dunaway, and it also featured the screen debut of Gene Wilder as a mortician briefly captured by the gang. Its portrayal of Bonnie and Clyde as rebels who empathized with the poor working folks of the 1930s struck a chord with the counterculture of the 1960s and helped generate a new, young audience for American movies that carried over into Hollywood's renewal of the 1970s. Its combination of sex and violence with dynamic stars, social relevance, a traditional Hollywood genre, and an appeal to hip young audiences set the pace for many American movies to come.

Exodus

Produced and directed by Otto Preminger, Exodus is a 212-minute screen adaptation of the best-selling novel by Leon Uris. The film is concerned with the emergence of Israel as an independent nation in 1947. Its first half focuses on the efforts of 611 holocaust survivors to defy the blockade of the occupying British government and sail to Palestine on the sea vessel Exodus. Paul Newman, a leader of the Hagannah (the Jewish underground), is willing to sacrifice his own life and the lives of the refugees rather than be turned back to war-ravaged Europe, but the British finally relent and allow the Exodus safe passage. Once this victory is assured, 30,000 more Jews, previously interned by the British, flood into the Holy Land.

The Pink Panther Strikes Again

Most Inspector Clouseau fans regard The Pink Panther Strikes Again as the best of the clumsy Parisian detective's "comeback" films of the 1970s. Driven insane by the stupidities of Clouseau (Peter Sellers), ex-inspector Dreyfuss (Herbert Lom) transforms into a master criminal. Kidnapping the inventor of a death ray, Dreyfuss threatens to use the demon device indiscriminately unless Clouseau is offered as a "sacrifice." A hunted man, Clouseau is forced to adopt one transparent (but hilarious) disguise after another. He is rescued from being incinerated by Dreyfuss when Soviet spy Olga (Leslie Ann Down) falls in love with him and strives to protect him.

The Pink Panther

In the first in a series of detective comedies from director Blake Edwards starring Peter Sellers as bumbling French Inspector Jacques Clouseau, the mishap-prone snoop is actually a supporting player. David Niven stars as Sir Charles Litton, a suave jewel thief known as "The Phantom." Vacationing in a deluxe Alpine resort, Litton's real purpose is to purloin the Pink Panther, a gem of enormous worth owned by a princess (Claudia Cardinale). On his trail for years, Inspector Clouseau keeps losing his quarry, perhaps because his wife Simone (Capucine) is Litton's lover and alerts him every time her husband draws near. Also after the Panther is Litton's American nephew, George (Robert Wagner). At a posh costume ball at the princess' villa, the bauble is stolen and Clouseau, still trying to determine the bandit's identity, is framed for the crime himself. The Pink Panther made Sellers and his Clouseau act so popular that the character moved to center stage in a series of farcical sequels.

City Slickers

City Slickers blends sight gags, one-liners, and sincerity, with both humor and drama arising from the characters and their situations. Mitch (Billy Crystal) is a radio station sales executive who finds himself in the throes of a mid-life crisis; accompanied by two friends, Phil (Daniel Stern) and Ed (Bruno Kirby) in the grip of similar problems, he heads to New Mexico for his birthday to participate in a two-week "vacation" cattle drive to Colorado. The three friends and the rest of their group, including an attractive, newly single young woman and two African-American dentists, are all urbanites lost when it comes to herding cattle and surviving on the prairie; it's up to authentic, almost mythic cowboy Curly (Jack Palance, who won an Oscar for the role), to whip them into shape. As various adventures occur along the way, including run-ins with outlaw cattlehands, treacherous natural mishaps, and Mitch's delivery of a newborn calf, the three "city slickers" open up to each other, learn to appreciate Curly's Old West values, and begin to resolve their midlife dilemmas. When Curly dies, it's left to Mitch, Phil, and Ed to bring in the herd.

The Color Purple

Based on the Pulitzer Prize-winning novel by Alice Walker, The Color Purple spans the years 1909 to 1949, relating the life of Celie (Whoopi Goldberg), a Southern black woman virtually sold into a life of servitude to her brutal husband, sharecropper Albert (Danny Glover). Celie pours out her innermost thoughts in letter form to her sister Nettie (Akousa Busia), but Albert has been hiding the letters Nettie writes back, allowing Celie to assume that Nettie is dead. Finally, Celie finds a champion in the don't-take-no-guff Sofia (Oprah Winfrey), the wife of Glover's son from a previous marriage. Alas, Sofia is "humbled" when she is beaten into submission by angry whites. Later, Celie is able to forge a strong friendship with Albert's mistress Shug (Margaret Avery). Emboldened by this, Celie begins rifling through her husband's belongings and finds Nettie's letters. Able at last to stand up to her husband, Celie leaves him to search for a new life on her own. A major box-office hit, The Color Purple was nominated for eleven Oscars. The film was co-produced by Quincy Jones, who also wrote the score.

It's a Mad, Mad, Mad, Mad World

With this all-star Cinerama epic, producer/director Stanley Kramer vowed to make "the comedy that would end all comedies." The story begins during a massive traffic jam, caused by reckless driver Smiler Grogan (Jimmy Durante), who, before (literally) kicking the bucket, cryptically tells the assembled drivers that he's buried a fortune in stolen loot, "under the Big W." The various motorists setting out on a mad scramble include a dentist (Sid Caesar) and his wife (Edie Adams); a henpecked husband (Milton Berle) accompanied by his mother-in-law (Ethel Merman) and his beatnik brother-in-law (Dick Shawn); a pair of comedy writers (Buddy Hackett and Mickey Rooney); and a variety of assorted nuts including a slow-wit (Jonathan Winters), a wheeler-dealer (Phil Silvers), and a pair of covetous cabdrivers (Peter Falk and Eddie "Rochester" Anderson). Monitoring every move that the fortune hunters make is a scrupulously honest police detective (Spencer Tracy). Virtually every lead, supporting, and bit part in the picture is filled by a well-known comic actor: the laughspinning lineup also includes Carl Reiner, Terry-Thomas, Arnold Stang, Buster Keaton, Jack Benny, Jerry Lewis, and The Three Stooges, who get one of the picture's biggest laughs by standing stock still and uttering not a word. Two prominent comedians are conspicuous by their absence: Groucho Marx refused to appear when Kramer couldn't meet his price, while Stan Laurel declined because he felt he was too old-looking to be funny. Available for years in its 154-minute general release version, the film was restored to its roadshow length of 175 minutes on home video; the search goes on for a missing Buster Keaton routine, reportedly excised on the eve of the picture's premiere. ~ Hal Erickson, Rovi

The Night They Raided Minsky's

Narrator Rudy Vallee announces that he knows we are a "real high class audience," thus he has "some swell story to tell." Thus begins The Night They Raided Minsky's, set in the rarefied world of burlesque in the 1920s. Amish girl Rachel Schpitendavel (Britt Ekland) comes to New York in hopes of securing work as a dancing interpreter of religious stories. She gets a job at Minsky's burlesque house, where the dance numbers are "Biblical" only when some gum-chewing stripper performs Salome's Dance of the Seven Veils. The many subplots leading up to Rachel's accidental invention of the striptease during a midnight Minsky's show involve many: top banana Chick Williams (Norman Wisdom) and womanizing straight-man Raymond Paine (Jason Robards Jr.); Billy Minsky (Elliot Gould), whose efforts to stage girlie shows at the National Winter Garden are looked down upon by Minsky Sr. (Joseph Wiseman), who holds the lease on the theater; gangster Trim Houlihan (Forrest Tucker), who intends to shut down Minsky's if he can't get a piece of the action; Ekland's preacher father Harry Andrews, who shows up in New York just in time to see his daughter bare all in front of a cheering audience; and Vance Fowler (Denhom Elliot), self-appointed protector of public morals, whom Paine hopes to embarrass by having Rachel perform her religious dance. A straightforward adaptation of Rowland Barber's novel The Night They Raided Minsky's would seem to be called for here, but novice director William Friedkin and film editor Ralph Rosenblum seem determined to turn the film into a kaleidoscope Hard Day's Night clone. Happily, producer Norman Lear is able to accommodate several nostalgic re-creations of such burlesque chestnuts as "Crazy House" and "Meet Me Round the Corner," as well as six delightful in-period songs penned by Bye Bye Birdie's Charles Strouse and Lee Adams, the best of which is the ribald "Perfect Gentleman." Bert Lahr makes his last appearance on screen in the role of washed-up funnyman Professor Spats; he died during production, and had to be extensively doubled throughout.

Free Willy

The touching story of a boy and his killer whale made this family drama a surprise box office hit. Jesse (Jason James Richter) is a kid without parents who has bounced from one foster home to another and is living on the streets. One night, he's caught spraying graffiti with his friend Perry (Michael Bacall) in a theme park. Jesse and Perry are caught red handed by Dwight (Mykel T. Williamson), a policeman who thinks that Jesse needs a more stable and disciplined environment. Dwight arranges for Jesse to stay with a new foster family, Glen and Annie Greenwood (Michael Madsen and Jayne Atkinson), with whom Jesse has an initially stormy relationship. Part of Jesse's punishment involves cleaning up the damage he caused at the park, where the new attraction is Willy, a killer whale who is being trained to do tricks. However, Willy was traumatized when he was stolen from his family by mercenary fisherman and does not respond well to the genuine concern of his trainers, Rae (Lori Petty) and Randolph (August Schellenberg). Jesse and Willy, both stranded without families in a place where they don't fit in, develop a close emotional bond, and with Jesse's help, Willy begins to display aptitude as a performer. Thanks to his friendship with Willy, Jesse develops a new sense of responsibility and a healthier relationship with the Greenwoods. However, Dial (Michael Ironside), the owner of the park, doesn't much care for animals and isn't happy with the slower-than-expected progress of Willy's training; having insured the whale for $1 million dollars, he figures that Willy is worth more dead than alive, and Jesse, Rae, and Randolph have to rescue their aquatic friend and return him to the ocean when Dial seems ready to live up to his threats.

Batman Forever

Director Joel Schumacher inherited the Batman franchise from Tim Burton and began steering it in the campier direction of the Sixties television show with this third installment. First-time Batman/Bruce Wayne (Val Kilmer), in his only outing as the Caped Crusader, is effectively brooding as he ponders strange dreams about his parents' death and escapes his own near-demise at the hands of Two-Face (Tommy Lee Jones), a former district attorney driven insane and turned into a master criminal when a gangster throws acid in his face. Meanwhile, as sexy psychologist Chase Meridian (Nicole Kidman) tries to analyze and seduce both Bruce Wayne and Batman, Wayne Enterprises employee Edward Nygma (Jim Carrey) reacts badly to getting fired, using his self-invented mind-energy device to transform into the super-intelligent Riddler. The Riddler teams up with Two-Face to bring down Batman and drain the minds of Gotham City residents with his device, while Batman gets some much-needed help in the form of circus performer Dick Grayson (Chris O'Donnell), out for vengeance after being orphaned by Two-Face.

Ninotchka

"Garbo Laughs!" declared the ads for Ninotchka. In the face of dwindling foreign revenues, MGM decided to put Greta Garbo, a bigger draw in Europe than the US, in a box-office-savvy comedy, engaging the services of master farceur Ernst Lubitsch to direct. The film opens in Paris during the aftermath of the Russian revolution. A trio of Russian delegates (Sig Rumann, Felix Bressart, and Alexander Granach) are sent to Paris to sell the Imperial Jewels for ready cash. Grand Duchess Swana (Ina Claire), who once owned the jewels, sends her boyfriend Count Leon (Melvyn Douglas) to retrieve the diamonds, and he turns the trio into full-fledged capitalists, wining and dining them all through Paris. Moscow then dispatches the humorless, doggedly loyal Comrade Ninotchka (Garbo) to retrieve both the prodigal Soviets and the gems. When Leon turns his charm on Ninotchka, she regards him coldly, informing him that love is merely a "chemical reaction." Even his kisses fail to weaken her resolve. Leon finally wins her over by taking an accidental fall in a restaurant, whereupon Ninotchka laughs for the first time in her life. She goes on a shopping spree and gets drunk, while Leon begins falling in love with her in earnest. As a bonus to the frothy script, by Billy Wilder and others, and its surefire star power, Ninotchka features what is perhaps Bela Lugosi's most likeable and relaxed performance.

Edward Scissorhands

Tim Burton's Edward Scissorhands opens as an eccentric inventor (Vincent Price) lovingly assembles a synthetic youth named Edward (Johnny Depp). Edward has all the essential ingredients for today's standard body, with the exception of a pair of hands. For what is initially thought to be a temporary period, he is fitted with long, scissor-like extremities that, while able to trim a mean hedge, are hardly conducive to day-to-day life. When the kindly inventor dies, however, Edward is left lonely and cursed with some very heavy metal for hands. He is eventually taken in by Peg Boggs (Dianne Weist), an Avon lady who takes pity on him after seeing his bleak existence. Edward, in spite of his inherent ability to slay anyone he comes across, is a gentle soul whose only wish is to be loved. His impromptu family has, at best, a limited understanding of Edward, but he finds himself drawn to Peg's weary but sympathetic daughter, Kim (Winona Ryder), who is dating Jim (Anthony Michael Hall), the neighborhood bully. Meanwhile, Edward finds himself a local celebrity after the town realizes that his talents include creative hedge trimming and an unrivaled ability to cut hair. His so-called friends are proven fair-weather when Edward is accused of a crime, after which his only supporters are Peg and Kim.

Batman

Behind the black cowl, Gotham City superhero Batman is really millionaire philanthropist Bruce Wayne (Michael Keaton), who turned to crimefighting after his parents were brutally murdered before his eyes. The only person to share Wayne's secret is faithful butler Alfred (Michael Gough). The principal villain in Batman is The Joker (Jack Nicholson) who'd been mob torpedo Jack Napier before he was horribly disfigured in a vat of acid. The Joker's plan to destroy Batman and gain control of Gotham City is manifold. First he distributes a line of booby-trapped cosmetics, then he goes on a destruction spree in the Gotham Art Museum while the music of Prince blasts away in the background, and finally he orchestrates an all-out campaign to win the hearts and minds of the Gothamites, hoping to turn them against the Cowled One. Meanwhile, reporter Vicki Vale (Kim Basinger) becomes the love of Batman's life-which of course plays right into the Joker's hands.

A Mighty Wind

The writing and directing team who created Waiting for Guffman and Best in Show turn their satiric eye toward the world of folk music in this sly mockumentary. Irving Steinbloom was one of the great behind-the-scenes figures of the folk music boom of the late '50s and early '60s, and helped to nurture the careers of three of the best known acts of the era. The Folksmen -- Mark Shubb (Harry Shearer), Alan Barrows (Christopher Guest), and Jerry Palter (Michael McKean) -- were an earnest folk trio who sang of America's noble past and the challenges of the future; they split up in the early '70s after a failed attempt to go electric. Mitch & Mickey were a duo in both music and life, comprised of Mitch Cohen (Eugene Levy) and Mickey Devlin (Catherine O'Hara). They sang soulful songs of love until the collapse of their relationship sent Mitch into a deep and incapacitating depression. And The Main Street Singers were a nine-piece vocal group -- a "neuftet," as they prefer it -- who offered energetic good-time music, cranking out nearly 30 albums in the course of a decade; their current incarnation, The New Main Street Singers (played by Jane Lynch, Parker Posey, John Michael Higgins, David Alan Blasucci, Steve Pandis, Christopher Moynihan, Paul Dooley and Patrick Sauber) is still on the road. When it is announced that the legendary Irving Steinbloom has died (the character never appears in the film), his son Jonathan (Bob Balaban) decides that the best way to memorialize his father is through music, and with the help of Mike LaFontaine (Fred Willard) of Hi-Class Management, they set out to bring The Folksmen, Mitch & Mickey, and The New Main Street Singers back together for a special concert at New York's Town Hall. Christopher Guest, Michael McKean, and Harry Shearer -- who previously teamed up for This Is Spinal Tap -- not only perform together as The Folksmen in A Mighty Wind, but composed most of the songs performed onscreen.

A Fish Called Wanda

In A Fish Called Wanda, Jamie Lee Curtis plays an ambitious con artist who uses every ounce of her sexual wiles to obtain a fortune in jewels stolen by her gangster lover Tom Georgeson. First, she romances Georgeson's dimwitted but deadly henchman Kevin Kline (who won an Academy Award for his performance). Then, to clear the path for her getaway with Kline, Jamie woos Georgeson's starched-shirt attorney, John Cleese -- and it's Cleese whom she genuinely falls in love with. Michael Palin, Cleese's former Monty Python cohort, plays a stuttering mob flunkey who continually messes up his one big assignment: killing a little old lady (it isn't that he has any qualms about knocking off the old dear; it's just that her pet dogs keep getting in the way). A Fish Called Wanda was scripted by star John Cleese.

Easter Parade

Don Hewes (Fred Astaire) and Nadine Hale (Ann Miller) are a dancing team, but she decides to start a career on her own. So he takes the next dancer he meets, Hannah Brown (Judy Garland), as a new partner. After a while this new team is so successful, that Florence Ziegfeld is interested in them, but due to the fact, that Nadine Hale dances also in the Ziegfeld Follies, Don says no. Inspite of the fact, that he is in love with Hannah, he keeps the relation to her strictly business. So Hannah is of the opinion, that he is still in love with Nadine, and her suspicion grows, when he dances with Nadine in a Night Club floor-show.

The Treasure of the Sierra Madre

John Huston's 1948 treasure-hunt classic begins as drifter Fred C. Dobbs (Humphrey Bogart), down and out in Tampico, Mexico, impulsively spends his last bit of dough on a lottery ticket. Later on, Dobbs and fellow indigent Curtin (Tim Holt) seek shelter in a cheap flophouse and meet Howard (Walter Huston), a toothless, garrulous old coot who regales them with stories about prospecting for gold. Forcibly collecting their pay from their shifty boss, Dobbs and Curtin combine this money with Dobbs's unexpected windfall from a lottery ticket and, together with Howard, buy the tools for a prospecting expedition. Dobbs has pledged that anything they dig up will be split three ways, but Howard, who's heard that song before, doesn't quite swallow this. As the gold is mined and measured, Dobbs grows increasingly paranoid and distrustful, and the men gradually turn against each other on the way toward a bitterly ironic conclusion. The Treasure of the Sierra Madre is a superior morality play and one of the best movie treatments of the corrosiveness of greed. Huston keeps a typically light and entertaining touch despite the strong theme, for which he won Oscars for both Director and Screenplay, as well as a supporting award for his father Walter, making Walter, John, and Anjelica Huston the only three generations of one family all to win Oscars.

Arsenic and Old Lace

Arsenic and Old Lace is director Frank Capra's spin on the classic Joseph Kesselring stage comedy, which concerns the sweet old Brewster sisters (Josephine Hull, Jean Adair), beloved in their genteel Brooklyn neighborhood for their many charitable acts. One charity which the ladies don't advertise is their ongoing effort to permit lonely bachelors to die with smiles on their faces--by serving said bachelors elderberry wine spiked with arsenic. When the sisters' drama-critic nephew Mortimer (Cary Grant) stumbles onto their secret, he is understandably put out--especially since he has just married the lovely Elaine Harper (Priscilla Lane). Given the homicidal tendencies of his aunts, the sinister activities of his escaped-convict older brother Jonathan (Raymond Massey) and the disruptive behavior of younger brother Teddy (John Alexander)--who is convinced that he's really Theodore Roosevelt, and runs around the house yelling "CHAAAAARGGGE"--Mortimer isn't keen on starting a family with his new bride. "Insanity runs in my family," he explains. "It practically gallops." Further complications ensue when the murderous Jonathan Brewster arrives home, with his snivelling accomplice Dr. Einstein (Peter Lorre) in tow. When Jonathan learns that his darling aunts have killed twelve men, he is incensed--they're challenging his own record of murders. Though the movie rights for Arsenic and Old Lace were set up so that the film could not be released until 1944, director Capra shot the film quickly and inexpensively in 1941, so that his family could subsist on his $100,000 salary while he was serving in World War II.

Presumed Innocent

Rusty Sabich (Harrison Ford) is a bland, oppressed man who burns with a quiet, corrosive intensity that can flare uncontrollably. A Philadelphia prosecutor, Sabich's fire seems to have one outlet: his job. He loves prosecuting people. Otherwise, his life is dead-ended. He has a loveless marriage to a neurotic woman (Bonnie Bedelia) and an overbearing boss (Brian Dennehy) in a labyrinthine law enforcement world of corruption and twisted relationships. Then Carolyn Polhemus (Greta Scacchi) comes into his life. Lovely and seductive, Polhemus easily entices him to break his marital vows, but she schemes to get him to try for his boss' job. When he refuses, she leaves him. When she turns up dead, the victim of an apparent rape-murder, clues begin to point to Sabich. His blood type almost perfectly matches that in the semen found in the victim, carpet fibers at the crime scene match those found in his house, and most damning, his fingerprints are found on a beer glass in Polhemus' apartment. His protestations of innocence ignored, Sabich is put on trial for the murder and hires his biggest adversary (Raul Julia) to defend him.

Howard's End

One of the best Ismail Merchant/James Ivory films, this adaptation of E. M. Forster's classic 1910 novel shows in careful detail the injuriously rigid British class consciousness of the early 20th century. The film's catalyst is "poor relation" Margaret Schlegel (Emma Thompson), who inherits part of the estate of Ruth Wilcox (Vanessa Redgrave), an upper-class woman whom she had befriended. The film's principal characters are divided by caste: aristocratic industrial Henry Wilcox (Anthony Hopkins); middle-echelon Margaret and her sister Helen (Helena Bonham Carter); and working-class clerk Leonard Bast (Sam West) and his wife (Nicola Duffett). The personal and social conflicts among these characters ultimately result in tragedy for Bast and disgrace for Wilcox, but the film's wider theme remains the need, in the words of the novel's famous epigram, to "only connect" with other people, despite boundaries of gender, class, or petty grievance. Filmed on a proudly modest budget, Howards End offers sets, spectacles, and costumes as lavish as in any historical epic. Nominated for 9 Oscars, including Best Picture and Best Director, the film took home awards for Thompson as Best Actress, Ruth Prawer Jhabvala's adapted screenplay, and Luciana Arrighi's art direction.

Bringing Up Baby

Katharine Hepburn and Cary Grant star in this inspired comedy about a madcap heiress with a pet leopard who meets an absent-minded paleontologist and unwittingly makes a fiasco of both their lives. David Huxley (Grant) is the stuffy paleontologist who needs to finish an exhibit on dinosaurs and thus land a $1 million grant for his museum. At a golf outing with his potential benefactors, Huxley is spotted by Susan Vance (Hepburn) who decides that she must have the reserved scientist at all costs. She uses her pet leopard, Baby, to trick him into driving to her Connecticut home, where a dog wanders into Huxley's room and steals the vital last bone that he needs to complete his project. The real trouble begins when another leopard escapes from the local zoo and Baby is mistaken for it, leading Huxley and Susan into a series of harebrained and increasingly more insane schemes to save the cat from the authorities. Inevitably, the two end up in the local jail, where things get even more out of hand: Susan pretends to be the gun moll to David's diabolical, supposedly wanted criminal. Naturally, the mismatched pair falls in love through all the lunacy. Director Howard Hawks delivers a funny, fast-paced, and offbeat story, enlivened by animated performances from the two leads, in what has become a definitive screwball comedy.

The Thin Man

After a four year absence, one time detective Nick Charles returns to New York with his new wife Nora and their dog, Asta. Nick re-connects with many of his old cronies, several of whom are eccentric characters, to say the least. He's also approached by Dorothy Wynant whose inventor father Clyde Wynant is suspected of murdering her step-mother. Her father had left on a planned trip some months before and she has had no contact with him. Nick isn't all that keen on resuming his former profession but egged-on by wife Nora, who thinks this all very exciting, he agrees to help out. He solves the case, announcing the identity of the killer at a dinner party for all of the suspects.

The Philadelphia Story

We open on Philadelphia socialite C.K. Dexter Haven (Cary Grant) as he's being tossed out of his palatial home by his wife, Tracy Lord (Katharine Hepburn). Adding insult to injury, Tracy breaks one of C.K.'s precious golf clubs. He gallantly responds by knocking her down on her million-dollar keester. A couple of years after the breakup, Tracy is about to marry George Kittridge (John Howard), a wealthy stuffed shirt whose principal recommendation is that he's not a Philadelphia "mainliner," as C.K. was. Still holding a torch for Tracy, C.K. is galvanized into action when he learns that Sidney Kidd (Henry Daniell), the publisher of Spy Magazine, plans to publish an exposé concerning Tracy's philandering father (John Halliday). To keep Kidd from spilling the beans, C.K. agrees to smuggle Spy reporter Macauley Connor (James Stewart) and photographer Elizabeth Imbrie (Ruth Hussey) into the exclusive Lord-Kittridge wedding ceremony. How could C.K. have foreseen that Connor would fall in love with Tracy, thereby nearly lousing up the nuptials? As it turns out, of course, it is C.K. himself who pulls the "louse-up," reclaiming Tracy as his bride. A consistently bright, bubbly, witty delight, The Philadelphia Story could just as well have been titled "The Revenge of Katharine Hepburn." Having been written off as "box-office poison" in 1938, Hepburn returned to Broadway in a vehicle tailor-made for her talents by playwright Philip Barry. That property, of course, was The Philadelphia Story; and when MGM bought the rights to this sure-fire box-office success, it had to take Hepburn along with the package -- and also her veto as to who her producer, director, and co-stars would be. Her strategy paid off: after the film's release, Hepburn was back on top of the Hollywood heap. While she didn't win the Oscar that many thought she richly deserved, the little gold statuette was bestowed upon her co-star Stewart, perhaps as compensation for his non-win for 1939's Mr. Smith Goes to Washington. Donald Ogden Stewart (no relation to Jimmy) also copped an Oscar for Best Adapted Screenplay. The Philadelphia Story was remade in 1956 with a Cole Porter musical score as High Society.

Leave Her to Heaven

Gene Tierney portrays a beautiful but unstable woman who marries successful novelist Cornel Wilde. Tierney wants to spend all her time with her new husband, but finds it impossible to do so thanks to his work and the frequent visits of family and friends. When Wilde's crippled younger brother (Darryl Hickman) comes to the couple's summer house to stay, Ms. Tierney indirectly causes the boy to drown. Later, upon discovering that she's pregnant, Tierney deliberately falls down the stairs, choosing to miscarry rather than share her husband's affections with an infant. When it becomes clear that family friend Jeanne Crain is attracted to her husband, Ms. Tierney commits suicide, making her death appear to be murder and framing Crain for the "crime." In court, Ms. Crain is mercilessly grilled by prosecuting attorney Vincent Price, who happens to be Tierney's ex-lover! Filmed in lush Technicolor, Leave Her to Heaven is based on the best-selling novel by Ben Ames Williams.

Gigi

Leslie Caron plays Gigi, a young girl raised by two veteran Parisian courtesans (Hermione Gingold and Isabel Jeans) to be the mistress of wealthy young Gaston (Louis Jourdan). When Gaston falls in love with Gigi and asks her to be his wife, Jeans is appalled: never has anyone in their family ever stooped to anything so bourgeois as marriage! Weaving in and out of the story is Maurice Chevalier as an aging boulevardier who, years earlier, had been in love with Gingold's character. Chevalier gets most of the best Lerner & Loewe tunes, including Thank Heaven for Little Girls, I'm Glad I'm Not Young Any More, and his matchless duet with Gingold, I Remember it Well. Caron's best number (dubbed by Betty Wand) is The Night They Invented Champagne while Jourdan gets the honor of introducing the title song. Filmed on location in Paris, Gigi won several Oscars, including Best Picture; it also represented the successful American movie comeback of Chevalier, who thanks to this film was "forgiven" for his reputed collaboration with the Nazis during World War II.

Gaslight

The 1940 British production of Gaslight was the first of two cinematic adaptations of Patrick Hamilton's play. Oozing faux continental charm, Anton Walbrook inveigles his way into the confidence of the young mistress (Diana Wynyard) of a large Victorian mansion. Walbrook is searching for the rubies that he'd stolen from the previous owner of the house -- whom he'd also murdered. Suspecting that Wynyard is about to catch on to his secret, Walbrook enlists the aid of a sluttish maidservant to drive his loving bride crazy. The ploy almost works, but Wynyard is rescued by an unexpected ally. Gaslight was released in the U.S. as Murder in Thornton Square, then withdrawn entirely on the occasion of MGM's expensive 1944 remake of Gaslight, which starred Charles Boyer and Ingrid Bergman. To avoid confusion, MGM allegedly ordered that all prints of the original Gaslight be destroyed. Evidently that order was not honored to the letter, since the 1940 Gaslight is still safely available for both theatrical and TV exhibition.

The Woman in the Window

Directed by Fritz Lang, The Woman in the Window, a sadly tragic film noir, is the story of the doomed love of married psychology-professor Wanley (Edward G. Robinson), who, with murderous results, meets and falls in love with another woman. Wanley first sees the portrait of a beautiful woman, Alice (Joan Bennett), and then meets the woman herself. After committing murder in self-defense, he finds himself blackmailed by Heidt (Dan Duryea). The script, written by Nunnally Johnson, is carefully structured with crisp dialogue and a convincing ending. Lang is at his best, getting excellent performances from Robinson, as the doomed, naive professor, and Bennett both. The Woman in the Window shows that good and evil are present in all, and that circumstances frequently dictate moral choices. Based on J.H. Wallis' novel Once Off Guard, the film gives viewers their money's worth with not one but two logical and satisfying surprise twists at the end.

To Have and Have Not

Harry Morgan and his alcoholic sidekick, Eddie, are based on the island of Martinique and crew a boat available for hire. However, since the second world war is happening around them business is not what it could be and after a customer who owes them a large sum fails to pay they are forced against their better judgement to violate their preferred neutrality and to take a job for the resistance transporting a fugitive on the run from the Nazis to Martinique. Through all this runs the stormy relationship between Morgan and Marie "Slim" Browning, a resistance sympathizer and the sassy singer in the club where Morgan spends most of his days.

A Night at the Opera

The Marx Brothers' A NIGHT AT THE OPERA is the zany comedy team's last truly brilliant film. It contains some of the funniest gags ever recorded on film ( the famous "Stateroom Scene must be witnessed to be believed! ). But beyond that, the movie itself works the best as a finely-tuned machine that fires its pistons at full throttle in every department from music, to the subplot writing to the marvelous MGM production values. Alan Jones substitutes for brother Zeppo here as the romantic, crooning love interest, but nothing can diminish the love pas de deux between Groucho's Rufus T. Firefly and the Grand Dame of oblivious comic foils, Margaret Dumont playing the regally asinine Mrs. Claypool. A NIGHT AT THE OPERA just may chalk up the most per-minute laughs of any movie to date - make sure you take a clicker-counter to keep track because your side may be aching to much to fully concentrate!

High Society

A socialite's (Grace Kelly) ex-husband (Bing Crosby) and a magazine writer (Frank Sinatra) show up for her wedding and cause havoc.

The Madness of King George

Based on Alan Bennett's acclaimed play The Madness of George III, The Madness of King George takes a dark-humored look at the mental decline of King George III of England. The film's story begins nearly three decades into George's reign, in 1788, as the unstable king (Nigel Hawthorne, reprising his stage role) begins to show signs of increasing dementia, from violent fits of foul language to bouts of forgetfulness. This weakness seems like the perfect chance to overthrow the unpopular George, whom many blamed for the loss of the American colonies, in favor of the Prince of Wales (Rupert Everett), but the king's prime minister William Pitt (Julian Wadham) and his wife Queen Charlotte (Helen Mirren) are determined to protect the throne. Doctors are brought in, but the archaic treatments of the time prove of little value. In desperation, they turn to Dr. Willis (Ian Holm), a harsh, unconventional specialist whose unusual methods recall modern psychiatry. Willis struggles to break through to the mad king, treating him with an anger and haughtiness George has never before experienced. Stressing the absurdity of the entire situation, Bennett's witty screenplay emphasizes dry humor over tragedy, even utilizing references to King Lear for comic effect. Hawthorne's fiery yet vulnerable performance received much critical praise, including Best Actor at the British Academy Awards and a nomination for the same at the Oscars.

Driving Miss Daisy

Based on the Pulitzer Prize-winning play by Alfred Uhry, Driving Miss Daisy affectionately covers the 25-year relationship between a wealthy, strong-willed Southern matron (Jessica Tandy) and her equally indomitable Black chauffeur, Hoke (Morgan Freeman). Both employer and employee are outsiders, Hoke because of the color of his skin, Miss Daisy because she is Jewish in a WASP-dominated society. At the same time, Hoke cannot fathom Miss Daisy's cloistered inability to grasp the social changes that are sweeping the South in the 1960s. Nor can Miss Daisy understand why Hoke's "people" are so indignant. It is only when Hoke is retired and Miss Daisy is confined to a home for the elderly that the two fully realize that they've been friends and kindred spirits all along. The supporting cast includes Esther Rolle as Miss Daisy's housekeeper and Dan Aykroyd as Miss Daisy's son, Boolie (reportedly, playwright Uhry based the character upon himself). Driving Miss Daisy won Academy Awards for Best Picture, Best Actress (Jessica Tandy), Best Screenplay (Uhry), and Best Makeup (Manlio Rochetti). ~ Hal Erickson, All Movie Guide

Dangerous Liasions

Set in France around 1760, the Marquise de Merteuil needs a favour from her ex-lover, Vicomte de Valmont. One of the Marquise de Merteuil's ex-lovers, Gercourt, is betrothed to a young, virtuous, woman called Cecile de Volanges. The Marquise would like Valmont to seduce Cecile before her wedding day, thus humiliating Gercourt. Meanwhile, Valmont has a conquest of his own in mind: Madame de Tourvel, a beautiful, married, and God fearing woman. The Marquise doesn't think that Valmont can seduce Mme de Tourvel. She tells him that if he can provide written proof of a sexual encounter with Mme de Tourvel, she will offer him a reward: one last night with her. Valmont, however, will find himself falling in love with Mme de Tourvel, and facing the deadly jealousy of the Marquise de Merteuil. All along, Cecile de Volanges is used as a pawn in this game of sexual conquest and scorned love.

Bridges of Madison County

The path of Francesca Johnson's future seems destined when an unexpected fork in the road causes her to question everything she had come to expect from life. While her husband and children are away at the Illinois state fair in the summer of 1965, Robert Kincaid happens turn into the Johnson farm and asks Francesca for directions to Roseman Bridge. Francesca later learns that he was in Iowa on assignment from National Geographic magazine. She is reluctant seeing that he's a complete stranger and then she agrees to show him to the bridges and gradually she talks about her life from being a war-bride from Italy which sets the pace for this bittersweet and all-too-brief romance of her life. Through the pain of separation from her secret love and the stark isolation she feels as the details of her life consume her, she writes her thoughts of the four-day love affair which took up three journals. The journals are found by her children after the lawyer was going over Francesca's will and all the contents which produces a key to her hope chest in the bedroom which contained some of hers and Robert's things. The message they take from the diaries is to what you what you have to do to be happy in life. After learning that Robert Kincaid's cremated remains were scattered off Roseman Bridge and that their mother requested that she too be cremated and her ashes to be scattered off Roseman Bridge, the children must decide whether to honor their mother's final wishes or bury her alongside their father as the family had planned. Adapted from the novel by Robert James Waller, this is the story of a special love that happens just once in a lifetime -- if you're lucky.

Now, Voyager

Charlotte Vale suffers under the domination of her Boston matron mother until Dr. Jaquith gets her to visit his sanitarium where she is transformed from frump to elegant, independent lady. When she goes off on a South American cruise she falls in love with Jerry, already married. Back home she confronts her mother who dies of a heart attack. Charlotte, guilt-ridden, returns to the sanitarium where she finds Jerry's depressed daughter Tina. Tina achieves happiness through her attachment to Charlotte and the two move back to Boston. When Jerry sees how happy his daughter is, he leaves her with Charlotte. What about marriage for Charlotte and Jerry? "Don't ask for the moon when we have the stars."

Jezebel

Set in antebellum New Orleans during the early 1850's, this film follows Julie Marsden through her quest for social redemption on her own terms. Julie is a beautiful and free spirited, rapacious Southern belle who is sure of herself and controlling of her fiancé Preston Dillard, a successful young banker. Julie's sensitive but domineering personality--she does not want so much to hurt as to assert her independence--forces a wedge between Preston and herself. To win him back, she plays North against South amid a deadly epidemic of yellow fever which claims a surprising victim.

Eye of the Needle

A gripping, old-fashioned WWII spy thriller, EYE OF THE NEEDLE features Donald Sutherland as Faber, a murderous Nazi spy stationed in Britain who uncovers the Allies' plans to invade Normandy. En route to a rendezvous with a U-boat at a remote island, Faber is stranded by a violent storm and forced to seek shelter with Lucy (Kate Nelligan), a sexually frustrated housewife, and her husband, a paraplegic ex-fighter pilot (Christopher Cazenove). Romance soon develops between Lucy and the spy, but Lucy's husband begins to suspect Faber's true identity.

Directed with considerable flair by Richard Marquand, this adaptation of Ken Follett's best-selling novel boasts one of Sutherland's best performances. As the cold-blooded spy who thinks nothing of plunging a stiletto into anyone who gets in his way, he is positively chilling. An accomplished stage actress who has yet to find the screen success that she deserves, Nelligan is excellent as well. Underrated at the time it was released, EYE OF THE NEEDLE is worthy viewing for anyone fond of classic Hollywood wartime thrillers. The old master film composer Miklos Rozsa even provides a score in the grand tradition.

Dark Victory

The twenty-three years old wealthy sportswoman Judith Traherne has painful headaches and double-vision, and the family doctor, Dr. Parsons, convinces her to go with her best friend Ann King to a consultation with a famous specialist. After the physical examination, Dr. Frederick Steele finds that Judy has a lethal glioma brain tumor, and he immediately operates her to withdraw the tumor. However, the result of the biopic examination indicates that she has less than six months of life, but Dr. Steele and Ann hides the diagnose from Judy. Meanwhile, Judy and Dr. Steele fall in love for each other, and they decide to get married and move to Vermont. But Judy finds the correspondence from the laboratory and very depressed, she starts to drink and have a promiscuous life. Later, she realizes that she should spend the last moments of her life with her love.

Carousel

Carousel was adapted from the 1945 Rodgers and Hammerstein Broadway musical of the same name--which, in turn, was based on Liliom, a play by Ferenc Molnar. Gordon MacRae stars as carnival barker Billy Bigelow, who much against his will falls in love with Maine factory girl Julie Jordan (Shirley Jones). Billy proves an improvident and unreliable husband, but Julie stands by him. Upon discovering that Julie is pregnant, the unemployed Billy sees an opportunity for some quick money by joining his unsavory pal Jigger (Cameron Mitchell). The scheme goes awry, and Billy dies. Standing before the Pearly Gates, Billy is given a chance to redeem himself by the kindly Starkeeper (Gene Lockhart). He is allowed to return to Earth to try to brighten the life of his unhappy 15-year-old daughter Louise (Susan Luckey). Billy offers Louise a star that he has stolen from the sky; when Louise backs off in fear, Billy slaps her. He feels like a failure until he and his Heavenly Friend (William LeManessa) attend Louise's school graduation ceremony. There the invisible Billy watches as the principal (Gene Lockhart again) inspires Louise (and, by extension, Julie) by assuring her that so long as she has hope in her heart, she'll never walk alone.

That's Entertainment

MGM musical numbers from the introduction of sound in the late '20s through to the 1950s, possibly with Fred Astaire, Gene Kelly, and Judy Garland getting the most coverage. Linked by some of the stars who worked at MGM handing the commentary on one to another.

An American in Paris

Jerry Mulligan, a struggling American painter in Paris, is "discovered" by an influential heiress with an interest in more than Jerry's art. Jerry in turn falls for Lise, a young French girl already engaged to a cabaret singer. Jerry jokes, sings and dances with his best friend, an acerbic would-be concert pianist, while romantic complications abound.

An Affair to Remember

Handsome playboy Nicky Ferrante and beautiful night club singer Terry McKay have a romance while on a cruise from Europe to New York. Despite being engaged to other people, both agree to reunite at the top of the Empire State Building in six months. However, an unfortunate accident keeps Terry from the reunion, and Nicky fears that she has married or does not love him anymore. Will he discover the truth behind her absence and reunite with his one true love, or has fate and destiny passed them by?

Top Hat

While staying in a London hotel with his English theatrical backer, Horace Hardwick, American musical revue star Jerry Travers wakes up Dale Tremont, Horace's downstairs neighbor, with his compulsive tap dancing. Upon seeing the furious Dale, Jerry falls instantly in love and, in spite of her snubbing, daily sends flowers to her room. Then, while posing as a hansom cab driver, Jerry delivers Dale to her riding lesson in the park and romances her in a pavilion during a rain storm. Dale's loving bliss is shattered, however, when she incorrectly deduces that Jerry, whose name she has never heard, is actually the husband of her matchmaking friend, Madge Hardwick. In spite of her desire to return to America, Dale is convinced by Alberto Beddini, her adoring, ambitious Italian dressmaker, to accept Madge's invitation to join her in Italy. Before leaving, Dale encounters Jerry in the hotel and slaps him without explanation. Worried that the slap will cause a scandal, the hotel management admonishes a confused Horace, who in turn blames the incident on Bates, his quarrelsome valet. After Horace orders Bates to follow Dale, he receives a telegram from Madge saying that Dale is on her way to the Lido in Venice. Overjoyed, Jerry rushes through his London revue and flies to Venice with Horace, unaware that Dale has confessed to Madge in their hotel room that her husband has made illicit advances toward her. In Italy, Jerry continues to be baffled by Dale's emotional vacilations, while Horace is equally baffled by Alberto's threats of bodily violence. At the hotel nightclub, Dale dances with Jerry at the urging of Madge, who is unaware that Dale has mistaken Jerry, the man that she is trying to get Dale to marry, for Horace. When Jerry then proposes to Dale, she slaps him again, while Madge, who had taken Dale's initial revelations about Horace with good humor, punches her husband in the eye. Depressed and heartsick, Dale succumbs to the affections of Alberto and accepts his marriage proposal. The next day, Jerry learns that Dale has married and, by tap dancing as he did in London, connives to see her alone. Although Dale finally learns Jerry's true identity while cruising with him in a gondola, the revenge-hungry Alberto pursues the couple across the canals. Eventually Bates reveals that, while following Dale and Alberto, he had impersonated a clergyman and performed their marriage ceremony. Legally single, Dale now accepts Jerry's proposal and, back in the nightclub, dances happily with him across the floor.

Mrs. Miniver

In early summer 1939, middle-class English housewife Kay Miniver happily returns from a London shopping trip to Belham, the Thames Valley village in which she lives, and is flattered that station master Ballard has named his newly propagated rose after her. That night, Kay feels slightly guilty over buying an expensive hat, while her architect-husband Clem feels the same way about his new sportscar. When they eventually confess their respective purchases, they laugh, happy in the knowledge that they can now afford some of life's little luxuries. The next day, Kay and Clem welcome home their eldest child Vin, who has returned home for the summer holiday and is a bit pompous after his year at Oxford. Vin embarrasses his parents when he insults Carol Beldon, granddaughter of local aristocrat Lady Beldon, when Carol comes to ask Kay to influence Ballard to withdraw his rose from competing against Lady Beldon's in the annual flower show.

At a dance that night, Carol receives a secret message from Vin asking her to meet him. The two confess their mutual attraction and promise to write to each other while Carol and her grandmother are away in Scotland. Some weeks later, concern over the fall of Poland dominates village conversations, and at church on Sunday, the vicar's sermon is interrupted by news that England is now at war with Germany. While Clem, Kay and their two youngest children, Toby and Judy, return home, Vin goes to the Beldon estate to make certain that the newly returned Carol and her grandmother are adequately prepared. Although Lady Beldon at first refuses to take seriously new air raid regulations, Vin takes charge of the situation. He and Carol also come to an "agreement" about their relationship and kiss for the first time.

Eight months later, after Vin has left school to join the RAF, the Minivers, like others in the village, have made accommodations for the war, but have yet to seriously feel its effects. In the pub, the locals laugh at the radio admonitions of the traitor Lord Haw Haw that England will soon fall, and discuss a German pilot who parachuted out of his plane and may be hiding near the village. That night, Vin proposes to Carol, much to the delight of Clem and Kay. Immediately thereafter, Vin is ordered back to his airbase, and in the middle of the night, Clem, a member of the Thames River patrol, is awakened and told to meet at the pub. Like the other local boat-owners, Clem is at first amused and somewhat irritated by the call-up, but soon finds that his is one of thousands of privately owned, seaworthy crafts needed to evacuate stranded British soldiers from Dunkerque, France. Five days later, Kay's only news of what Vin and Clem may be doing comes from the papers. When she goes for a stroll in her garden one morning, she sees the boots of the missing German pilot. Unable to get the sleeping flyer's gun away, she rushes to the house, but he forces his way into her kitchen and holds her at gunpoint while she brings him food.

Weakened from his wounds, the flyer collapses and Kay is able to take his revolver and call for help. Before the police arrive, though, the German bitterly tells Kay that England will soon fall, just as Holland and Poland did, and she slaps him. After the police take the flyer away, Clem returns in his badly damaged boat, unharmed, but exhausted from his ordeal, and soon they learn that Vin, too, is safe. A short time later, Vin and Carol marry, after Kay convinces Lady Beldon that the couple are right for each other. One night, while Carol and Vin are on their honeymoon, Clem, Kay, Judy and Toby retreat to their bomb shelter while an air battle rages overhead. As the children sleep, Kay calmly knits and Clem reads until the bombing becomes so fierce that the children awaken, crying, and the family fearfully huddles together, realizing that their house has been hit.

When Carol and Vin return from their honeymoon, they are shocked by the bomb damage, but Kay and Clem shrug off the partial destruction of their home and look forward to going to the annual flower show. At the show, Lady Beldon is secretly informed that she has won the competition, but when Kay helps her to realize that the judges chose her rose over Ballard's more worthy flower because of her position in the village, Lady Beldon announces that Ballard has won the prize. The show is then interrupted by an air raid warning. As Kay drives Carol home, they are heartsick at the destruction they see. When a plane dives toward them, Kay thinks that the car has been hit but soon realizes that Carol has been badly wounded. Kay is able to get Carol home, but she dies before medical help can arrive. On Sunday morning, in the badly damaged village church, the vicar sadly talks of those who have died, including Carol and Ballard. As the vicar reads from the Ninety-First Psalm, Vin goes to Lady Beldon's pew to comfort her, and more British planes take to the air.

Mildred Pierce

Mildred Pierce dotes on her daughters while husband Bert looks to Maggie Binderhof for affection. They soon divorce, leaving Mildred to raise the girls on her own. Elder daughter Veda goads her mother about their lack of money and in response Mildred proposes opening a small restaurant. Realtor Wally Fay advises her while making numerous rebuffed passes and introduces her to Monte Baragon whose property becomes the first of a chain of restaurants. Mildred has an affair with Monte. Meanwhile, money-hungry Veda pretends to be pregnant by wealthy Ted Forrester in order to bilk his family of $10,000. Mildred tears up the check, is slapped by Veda, and orders her daughter to leave. After time away, Mildred returns to find Veda singing in a cheap club. Veda will return only if Mildred promises luxury, so Mildred agrees to marry Monte in exchange for a third of her businesses. It soon becomes clear that something is going on between Veda and Monte. Mildred learns of this only after Monte has sold out his third of the her business leaving her bankrupt. She goes to Monte's beach house to kill him... Shots ring out, but what really happened?

The Great Escape

Based on a true story, "The Great Escape" deals with the largest Allied escape attempt from a German POW camp during the Second World War. The first part of the film focuses on the escape efforts within the camp and the process of secretly digging an escape tunnel. The second half of the film deals with the massive effort by the German Gestapo to track down the over 70 escaped prisoners who are at this point throughout the Third Reich attempting to make their way to England and various neutral countries.

Call Northside 777

In this documentary-inspired thriller, P.J. McNeal (James Stewart) is a reporter who is asked by his editor to look into a potential story: their newspaper has been carrying an ad offering a substantial reward for information regarding the murder of a policeman that occurred eleven years ago. It turns out the ad was placed by a cleaning woman named Tillie Wiecek (Kasia Orzazewski); her son Frank (Richard Conte) was convicted of the crime, but she is thoroughly convinced her son had nothing to do with the killing.

McNeal doesn't believe for a moment that Frank could be innocent, but he sees a good human interest story in Tillie and writes a piece that receives a great deal of favorable attention. Brian Kelly (Lee J. Cobb), McNeal's editor, thinks there might be more to this story and asks P.J. to look into the original murder case. To McNeal's surprise, Frank passes a lie detector test in which he proclaims his innocence, and the more he digs into records on the case, the more he finds wrong with the original investigation; some evidence is missing, much is inconclusive, and the reporter begins to wonder if Frank might have been railroaded after all, or if the police might be trying to keep something quiet.

42nd Street

Auditions for 1933's newest show, Pretty Lady, are nearly over when Peggy Sawyer, fresh off the bus from Allentown, Pennsylvania, arrives in New York City with valise in hand. Billy Lawlor, already cast as one of the juvenile leads, notices Peggy and hopes to charm her into accepting a date with him. He informs her she's missed the audition but he can help her bypass that process, but choreographer Andy Lee has no time for Billy's latest conquest and tells her, "Beat it, toots." Embarrassed and flustered, Peggy rushes off, only to slam right into director Julian Marsh himself.

One-time star Dorothy Brock, indignant at being asked to audition for a role, is reassured by Julian he merely wants to make sure the songs are in her key. Despite his feeling Dorothy is a prima donna past her prime, he agrees to cast her in order to get financial backing from her wealthy beau Abner Dillon. Outside of the theatre, writer Maggie and chorus girls Anytime Annie, Phyllis, and Lorraine take pity on Peggy and invite her to join them for lunch and some advice. They encourage her to show them a dance routine that is witnessed by a love-struck Julian, who decides there might be room for one more chorus girl after all.

At a pre-production party, Julian learns that Dorothy is seeing old boyfriend Pat Denning behind Abner's back. Knowing this could destroy the show's future, he decides to put an end to the affair. One phone call to an unsavory acquaintance and Denning is visited by a couple of thugs who convince him to break it off with Dorothy. Soon after the show's cast heads to Philadelphia for the out-of-town tryout.

On opening night, Peggy trips and crashes into Dorothy, knocking her to the stage. Julian fires the young chorine on the spot.

Dorothy's ankle is broken, and the show may close. The chorus kids, certain Peggy could fill the lead role, find Julian and tell him that Peggy's a fresh young face who can sing and dance circles around Brock. Julian decides it's worth a shot and rushes off to the train station to catch Peggy before she departs.

At Philadelphia's Broad Street Station, Julian apologizes to Peggy and asks her to stay and star in Pretty Lady, but she responds that she's had enough of show business and wants to go home to Allentown. Dumbfounded, Julian tries to coax her with the words "Come on along and listen to the lullaby of Broadway...." After the cast joins him in the serenade, Peggy decides to accept his offer.

Forced to learn the part in two days, Peggy is on the verge of a nervous breakdown when she has an unexpected visit from Dorothy, who has been watching the rehearsals and realizes beneath her nervous exterior, Peggy is good, "maybe even better than I would have been." She even offers a little friendly advice on how to perform the last song, "About a Quarter to Nine."

The opening night curtain is about to rise when Julian, who is completely in love with Peggy at this point, stops by for a last minute lip-lock and pep talk in which he utters the now iconic line, "You're going out there a youngster, but you've got to come back a star!" The show is a huge success sure to catapult Peggy into stardom. And even though she's invited to and expected to attend the official opening night party, Peggy decides to go to the chorus party instead. Julian is left alone on stage with only a single ghost light casting his huge shadow on the back wall. He quietly begins to sing, "Come and meet those dancing feet on the avenue I'm taking you to... 42nd Street."

One, Two, Three

Berlin, after the Second World War: C.R. MacNamara presides over the Coca-Cola branch of Germany. He is working hard and trying his very best to impress the Atlanta headquarters, since he has heard that the European headquarters in London will soon be looking for a new head. Now, Coca-Cola boss Mr. Hazeltine asks MacNamara to take care of his daughter Scarlett, who is going to take a trip to Europe. Scarlett, however, does not behave the way a young respectable girl of her age should. Instead of sightseeing, she goes out until the early morning and has lots of fun. Finally, she falls in love with Otto Piffl, a young man from East Berlin and a flaming Communist, and marries him surprisingly.

When MacNamara hears of the marriage, he schemes, with the help of his assistant Schlemmer, to get Piffl put into an East German prison. When he receives a note that Mr. Hazeltine and his wife are coming to Germany to visit their daughter in Berlin, he needs to get Piffl out of prison again, convert him to Capitalism and present him as a fine, young and noble husband in order to get his London post, and all of that very quick!

Elmer Gantry

Elmer Gantry is a fast talking, hard drinking traveling salesman who always has a risqué story and a hip flask to entertain cronies and customers alike. He is immediately taken with Sister Sharon Falconer, a lay preacher whose hellfire and damnation revivalism has attracted quite a following. Gantry uses his own quick wit and knowledge of the bible to become an indispensable part of Sister Sharon's roadshow but soon finds that his past catches up with him in the form of Lulu Bains, now a prostitute. While Gantry seeks and eventually gets forgiveness from Sharon, tragedy strikes when she finally manages to get out of her revivalist tent and opens a permanent church.

Boomerang

In a small Connecticut town, local minister Reverend George Lambert is shot to death point blank on the street. Although he was beloved by most, he did have his detractors for not absolving those he deemed to have done bad deeds. The shooting is witnessed by many, although the murderer's face is unseen. Weeks go by with no progress on finding the killer, the police and city officials under much pressure to make progress. Based on circumstantial evidence including seven witnesses identifying him and the bullet used in the murder coming from his gun, drifter and WWII veteran John Waldron is charged with murder. State's Attorney Henry Harvey is initially as anxious as anyone to see Waldron charged. However as the case goes to preliminary state hearing, Harvey proceeds to prove Waldron innocent. Some see his move as purely a political one as prosecuting a loyal war veteran is not seen as a popular move for potential gubernatorial candidate Harvey. With the hullabaloo swirling around him, Harvey strives to discover the truth behind the charges against Waldron, despite pressure from some to prosecute Waldron for murder regardless of his guilt or innocence.

Bridges at Toko-Ri

Set during the Korean War, a Navy fighter pilot must come to terms with with his own ambivalence towards the war and the fear of having to bomb a set of highly defended bridges. Cast includes William Holden, Grace Kelly, Fredrick March and Mickey Rooney.

Six Degrees of Separation

Flan and Ouisa Kittredge, rich NYC art dealers, are called on one night by a young man, Paul, who professes to be a friend of their kids' from Harvard. They offer him a bed for the night; he enchants them with a home-cooked meal and magnificent conversation. The next morning, they learn that he is not all he seems to be. Their investigations are intriguing and lead them to re-evaluate their lives.

The Magnificent Ambersons

The young, handsome, but somewhat wild Eugene Morgan wants to marry Isabel Amberson, daughter of a rich upper-class family, but she instead marries dull and steady Wilbur Minafer. Their only child, George, grows up a spoiled brat. Years later, Eugene comes back, now a mature widower and a successful automobile maker. After Wilbur dies, Eugene again asks Isabel to marry him, and she is receptive. But George resents the attentions paid to his mother, and he and his whacko aunt Fanny manage to sabotage the romance. A series of disasters befall the Ambersons and George, and he gets his come-uppance in the end.

Lone Star

John Sayles' murder-mystery explores interpersonal and interracial tensions in Rio County, Texas. Sam Deeds is the local sheriff who is called to investigate a 40-year-old skeleton found in the desert....As Sam delves deeper into the town's dark secrets, he begins to learn more about his father, the legendary former sheriff Buddy Deeds, who replaced the corrupt Charlie Wade. While Sam puzzles out the long-past events surrounding the mystery corpse, he also longs to rekindle a romance with his old high-school flame. Sayles' complex characters are brought together as the tightly woven plot finally draws to its dramatic close.

Annie Hall

Woody Allen's romantic comedy of the Me Decade follows the up and down relationship of two mismatched New York neurotics. Jewish comedy writer Alvy Singer (Allen) ponders the modern quest for love and his past romance with tightly-wound WASP singer Annie Hall (Diane Keaton). The twice-divorced Alvy knows that it's not easy to find a mate when the options include pretentious New York intellectuals and lifestyle-obsessed Rolling Stone writers, but la-di-dah-ing Annie seems different. Along the rocky road of their coupling, Allen/Alvy weigh in on such topics as endless therapy, movies vs. TV, the absurdity of dating rituals, anti-Semitism, drugs, and, in one of the best set pieces, repressed Midwestern WASP insanity vs. crazy Brooklyn Jewish boisterousness. Annie wants to move to Los Angeles to find that fame that finally does in the relationship -- but not before Alvy gets in a few digs at vacuous, mantra-fixated California. Originally entitled Anhedonia (the inability to enjoy oneself), Annie Hall blended the slapstick and fantasy from such earlier Allen films as Sleeper (1973) and Bananas (1971) with the more autobiographical musings of his stand-up and written comedy, using an array of such movie techniques as talking heads, splitscreens, and subtitles. Within these gleeful formal experiments and sight gags, Allen and co-writer Marshall Brickman skewered 1970s solipsism, reversing the happy marriage of opposites found in classic screwball comedies. Hailed as Allen's most mature and personal film, Annie Hall beat out Star Wars for Best Picture and also won Oscars for Allen as director and writer and for Keaton as Best Actress; audiences enthusiastically responded to Allen's take on contemporary love and turned Keaton's rumpled menswear into a fashion trend.

How I Won the War

This film features former Beatle John Lennon and Roy Kinnear as ill-fated enlisted men in under the inept command of Lieutenant Earnest Goodbody. The story unwinds mostly in flashbacks of Lieutenant Goodbody who has lower-class beginnings and education which make him a poor officer who commands one of the worst units of the army.

Gigot

Gigot (Gleason) is a mute Frenchman living in the Montmartre district of Paris in the 1920s. He makes a hand-to-mouth living as a janitor at his landlady's apartment building. Though treated with condescension by most of his neighbors (and often the butt of practical jokes), he is much loved by the local children and by animals, whom he often feeds. He seems content with his life, though he has one strange passion: he attends every local funeral, whether or not he knew the departed, marching in the funeral march and crying along with the other mourners.

One rainy evening he is returning home when he comes across a woman named Collette (Katherine Kath) and her young daughter Nicole (Diane Gardner) sitting in a doorway trying to keep dry. He lets them stay at his apartment. Collette is suspicious of Gigot from the start but young Nicole warms to him right away. One of the highest points in the movie is the scene wherein Gleason does a stunning pantomime, Gigot takes Nicole to church only to discover she is unbaptized and completely ignorant of what a church is and unaware of God. Young Nicole points to a crucifix and asks Gigot who that is. Gigot clearly struggling and regretful of his muteness acts out the story of Christ beginning with Mary cradling the baby Jesus, His childhood through to the horror of the crucifixion. When Gigot is through he opens his eyes to see Nicole staring at him with a single tear on her face. Nicole then turns and blows a kiss to Christ on the cross. Gigot oftens entertains the little girl, sometimes by dancing to his old Victrola, and on another by dressing as a waiter to feed his mouse. He is also very protective of Nicole, once running alongside her on a merry-go-round to make sure she doesn't fall off. It is this protectiveness that leads him to prevent Collette from soliciting a john several minutes later on a park bench near the merry-go-round. Gigot is beaten by the frustrated man for his troubles. Furious, Collette threatens to leave with Nicole, but stays when Gigot claims he has money. With an hour to prove himself and uncertain what to do, an opportunity is handed him when he passes by the bakers. The baker and his wife are called away, leaving the till open. Gigot is very reluctant, but steals from the till. He takes broken cookies (to feed to the pigeons) - and leaves the usual steep payment for them!

With his ill-gotten gains, Gigot, Collette and Nicole go on a shopping spree, buying much-needed new clothes for Collette and Nicole and a meal at the local restaurant for all three. Gigot is even persuaded to get a straw boater and a shave. But the good times are not to last - Collette's ex-boyfriend decides he wants her back, and Collette agrees. She wants to take Nicole, but he persuades her to wait til morning. Unknown to her, Gigot sees them leaving together and is heartbroken. The next morning, when Collette returns, she finds Gigot and Nicole missing. The baker discovers the theft, and soon Gigot is a suspect. Morever, two bureaucrats called in by one of Gigot's neighbors have come to (apparently) have Gigot committed. But Gigot and Nicole are only at an abandoned basement, listening to the Victrola while Gigot dances - with a little too much gusto though, as the roof falls in. Gigot is unhurt, but Nicole is unconscious. Frightened, he takes the girl to the church, where the parish priest calls a doctor. Thinking the Victrola may help, he goes back to retrieve it and runs straight into an angry mob. (He needn't have worried: Nicole is not seriously hurt.) The mob chases Gigot to what looks like an old coal loader near the river, Gigot falls into the river and does not resurface. The locals think Gigot is dead, and organise a funeral for him. Gigot is not dead, merely hiding. He sees the funeral march and as always follows, though he keeps a distance. When the time comes for the eulogy, he realizes it is he they're holding the service for, and is moved by what may be their false sentiments. Suddenly, one of the mourners sees Gigot, and the chase starts again.

Fiddler on the Roof

Fiddler on the Roof is based on Tevye and his Daughters (or Tevye the Milkman) and other tales by Sholem Aleichem. The story centers on Tevye, the father of five daughters, and his attempts to maintain his family and religious traditions while outside influences encroach upon their lives. He must cope with both the strong-willed actions of his three older daughters—each one's choice of husband moves farther away from the customs of her faith—and with the edict of the Tsar that evicts the Jews from their village.

People Will Talk

Successful and well-liked, Dr. Noah Praetorius (Cary Grant) becomes the victim of a witchhunt at the hands of Professor Elwell (Hume Cronyn), who disdains Praetorius's unorthodox medical views and also questions his relationship with the mysterious, ever-present Mr. Shunderson. Fuel is added to the fire when Praetorius befriends young Deborah Higgins (Jeanne Crain), who has become suicidal at the prospect of having a baby by a lover who has left her.

On the Town

As three sailors – Gabey (Gene Kelly), Chip (Frank Sinatra), and Ozzie (Jules Munshin) – begin their shore leave, Gabey falls in love with the picture of "Miss Turnstiles", who is actually Ivy Smith (Vera-Ellen). The sailors race around New York attempting to find her in the brief period they have ("New York, New York"). They are assisted by, and become romantically involved with, two women, and pair up: Ozzie with Claire (Ann Miller), an anthropologist; and Chip with Hildy Esterhazy (Betty Garrett), an aggressively amorous taxi driver; and eventually, Gabey with Ivy, an aspiring actress.

The Magnificent Seven

A Mexican village is periodically raided by bandits led by Calvera (Eli Wallach). As he and his men ride away from their latest visit, Calvera promises to return. Desperate, the village leaders travel to a border town to buy guns to defend themselves. They approach a veteran gunslinger, Chris (Yul Brynner). He tells them guns alone will not do them any good; they are farmers, not fighters. They ask him to lead them, but Chris rejects them, telling them a single man is not enough. They keep at him though, and he eventually gives in. He recruits six additional men, each of whom comes for a different reason. They must prepare the town to repulse an army of over 100 bandits who will arrive wanting food.

Dances With Wolves

Lt. John Dunbar is dubbed a hero after he accidentally leads Union troops to a victory during the Civil War. He requests a position on the western frontier, but finds it deserted. He soon finds out he is not alone, but meets a wolf he dubs "Two-socks" and a curious Indian tribe. Dunbar quickly makes friends with the tribe, and discovers a white woman who was raised by the Indians. He gradually earns the respect of these native people, and sheds his white-man's ways.

Anchors Away

In this Gene Kelly classic dance-musical comedy, Kelly and Sinatra plays Joe and Clarence (respectively), two navy sailors who have a few days leave in Hollywood. All Joe wants to do is to have a good time and meet up with his girl, the unseen Lola. Clarence on the other hand just wants to get a girl. They soon meet a little boy who ran away from home and wants to join the navy. They take him home and soon meets his young beautiful singer-wannabe aunt Susan (Kathryn Grayson). Clarence develops a crush on her, so he asks Joe to help him get Susan to like him. Soon Joe gets himself caught in between a promise to Susan to meet a big time music producer, and trying to get Clarence ready for their date. The only problem is, Joe doesn't know the music producer and he's starting to fall in love with Susan himself. So whats a guy to do?

Suspicion

The film version of Frances Iles' Before the Fact , Alfred Hitchcock’s 'Suspicion' is a sordid look at a wife suspecting her husband of murder. Cary Grant is Johnnie Aysgarth, a charming, debonair, English bachelor who surprisingly falls in love with the bookish Lina McLaidlaw (Joan Fontaine). As Johnnie has been cheating and stealing since school days the relationship is not exactly welcomed by Lina's parents causing the two to elope. Once back from their honeymoon Lina discovers that Johnnie has no income but what is more distressing, he has bought them an expensive house and commissioned an interior designer and to add to that gambles what little money they have at the racetrack. Due to Lina's obvious disapproval, Johnnie finds a job working for a relative of his, Captain Melbeck, played by Leo G. Carroll, but to afford the good life he so enjoys becomes involved in an embezzling scheme and is promptly fired but neglects to inform Lina. Beaky a friend of Johnnie's arrives as a houseguest and Johnnie's strange behaviour towards him causes Lina to assume that maybe there is more to Johnnie than she would like to acknowledge, a dark and sinister side. The two boys then decide to go to Europe to investigate a financial venture but Beaky suddenly dies which forces Lina to think that Johnnie is a murderer and she is his next victim and every unusual action he makes, Lina interprets as an attempt on her life.

Run Silent, Run Deep

World War II United States Navy submarine Commander P.J. Richardson, (Clark Gable) has an obsession with the Japanese destroyer that sank his previous boat and three others. He convinces the navy board to give him a new sub command with the provision that his exec be someone who has just returned from active sea patrol. He is single-mindedly training the crew of his new boat, the USS Nerka, to return to the Bungo Straits and sink the destroyer, captained by the crafty ex-submariner, now destroyer captain, nicknamed Bungo Pete. The executive officer, Lieutenant Jim Bledsoe (Burt Lancaster), is worried about the safety of his boat and his crew. Bledsoe also is seething with resentment at Richardson and the Navy brass for denying him the command of the ship which rightfully should have been his. Richardson begins to drill the crew on a rapid bow shot, normally a desperation move in which the sub fires at a destroyer moving in for the kill "down the throat", i.e. at its bow coming head-on. He then bypasses one target only to take on a Japanese destroyer using the bow shot on which they have drilled. The crew becomes outraged when it becomes apparent that Richardson is choosing to avoid all legitimate targets in order to enter the Bungo Straits undetected in direct contradiction to mission orders, jeopardizing the boat and its crew merely to avenge the dead submarine. Shortly after engaging Bungo Pete, they are attacked by aircraft that had been clearly alerted to their presence and had been waiting in ambush. They are forced to dive and narrowly escape destruction from depth charges. Three of the crew are killed and Richardson suffers a skull fracture which incapacitates him. They also come close to being hit by what they mistakenly believe is one of their own torpedoes doubling back on them. By sending up blankets, equipment, and the bodies of the dead, they convince the Japanese that the sub has been sunk. Bledsoe uses Richardson's incapacitation to assume command and as an excuse to return to Pearl Harbor. While listening to Tokyo Rose proclaiming the sinking of their ship, they are mystified how the Japanese were able to identify the crew of the boat. They later realize the Japanese are collecting their garbage. Bledsoe then further realizes that the submarine now has a real advantage--the Japanese believe they are sunk and their source of intelligence has dried up--and returns to the Bungo Straits to take on the Akikaze destroyer, which the sub defeats only to be again subjected to a mystery torpedo. Richardson deduces that it was not the Akikaze alone who had been killing the US subs but a Japanese sub working in concert with the destroyer. He orders the boat into a dive just seconds before a Japanese torpedo shoots by. The US sub then forces its adversary to surface and destroys it. The older sub skipper thus achieves his revenge. The film ends with Richardson dying from his head injury and being buried at sea.

Moonstruck

Loretta Castorini, a Brooklyn bookkeeper in her late 30s whose husband died several years earlier in a bus accident, decides it's time to get married again. So she accepts the proposal of a nice, middle-aged fellow named Johnny Cammareri. Loretta is convinced her first marriage was cursed because she and her husband had gotten married at City Hall; this time, she's determined to do things right, even as she admits to her mother, Rose, that she's not really in love with Johnny. (To which Rose replies: "Good. When you love them, they drive you crazy, 'cause they know they can." Rose speaks from rueful experience; she suspects, with good reason, that her husband, Cosmo, is cheating on her.) Loretta is convinced that marrying Johnny is the safe and sure thing to do - until she meets his estranged younger brother Ronny, who tends the ovens in a neighborhood bakery. Loretta discovers that in startling contrast to the pleasant, mild-mannered Johnny, Ronny is moody and passionate; what follow are complications worthy of a comic opera.

Key Largo

John Huston (The Maltese Falcon) directed this smart thriller about a gangster (Edward G. Robinson) who holds a number of people hostage in a hotel on the Florida keys during a tropical storm. Humphrey Bogart is the returning war veteran who takes on the villains, and Lauren Bacall is on hand as one of the people on the wrong end of Robinson's gun. Somewhat similar in tone to Howard Hawks's To Have and Have Not (which also featured Bogart and Bacall), this moody movie captures a certain despair offset by the bond between individuals united by common purpose. Claire Trevor won an Academy Award for her part as Robinson's alcoholic girlfriend.

Hotel Rwanda

Tensions between the Hutu and Tutsi peoples lead to a civil war, in a country where corruption and bribes are routine. Paul Rusesabagina (Don Cheadle), the manager of Sabena Hôtel des Mille Collines, is Hutu but his wife, Tatiana (Sophie Okonedo), is Tutsi. His marriage is a source of friction with Hutu extremists, most prominently George Rutaganda, a friendly supplier to the hotel who also is the local leader of Interahamwe, a brutal anti-Tutsi militia.

As the political situation in the country deteriorates, Paul and his family observe neighbors being dragged from their homes and openly beaten in the streets. Paul curries favor with people of influence, bribing them with money and alcohol, seeking to maintain sufficient influence to keep his family safe. When civil war erupts and a Rwandan Army officer threatens Paul and his neighbors, Paul barely negotiates their safety, and brings everyone to the hotel. More refugees come to the hotel from the overburdened United Nations camp, the Red Cross, and orphanages. Paul must divert the Hutu soldiers, care for the refugees, be a source of strength to his family, and maintain the appearance of a functioning high-class hotel, as the situation becomes more and more violent, with mobs in the streets just outside the gates.

The UN Peacekeeping forces, led by Colonel Oliver (Nick Nolte), are unable to take assertive action against the Interhamwe since they are forbidden to intervene in the genocide. The foreign nationals are evacuated, but the Rwandans are left behind. When the UN forces attempt to evacuate a group of refugees, including Paul's family, they are ambushed and must turn back. In a last-ditch effort to save the refugees, Paul speaks to the Rwandan Army General, Augustin Bizimungu (Fana Mokoena) and when the bribes no longer work, he blackmails him with threats of being tried as a war criminal. The family and the hotel refugees finally leave the besieged hotel in a UN convoy, and they travel through retreating masses of refugees and militia to reach safety behind Tutsi rebel lines.

Of Mice and Men

George Milton (Gary Sinise) is in a train boxcar, reminiscing upon the events that have just happened. He thinks back to when he and his companion Lennie Small (John Malkovich) are fleeing from their previous employment in Weed. They were run out of town after Lennie was accused of attempted rape when he touched a young woman's dress (prompted by his love of stroking soft things). Then George thinks of the events that have recently happened and make up the movie, taking place during the Great Depression. After running from Weed, George and Lennie are trying to attain their shared dream of settling down on their own piece of land. Lennie's part of the dream, which he never tires of hearing George describe, is merely to have soft rabbits on the farm, which he can pet. The two go to work at a ranch named Tyler Ranch. At the ranch, the dream appears to move closer to reality. Candy (Ray Walston), the aged, one-handed ranch-hand, offers to pitch in with Lennie and George so they can buy the farm. The dream disappears when Lennie accidentally kills the young and attractive wife (Sherilyn Fenn) of Curley (Casey Siemaszko), the ranch owner's son, while trying to stroke her hair. A lynch mob led by Curley gathers. Realizing he is doomed to a life of loneliness and despair like the rest of the migrant workers, and wanting to spare Lennie a painful death at the hands of the vengeful and violent Curley, George shoots Lennie in the back of the head before the mob can find him. The film closes with the opening scene of George reminiscing in the train boxcar.

House of Games

David Mamet wrote and directed this twist-laden tale of a psychiatrist who becomes involved with a master con artist. Starring Lindsay Crouse, Joe Mantegna, Mike Nussbaum, Lilia Skala, and J.T. Walsh.

A Thousand Clowns

Unemployed television writer, Murray Burns, lives in a cluttered New York City one-bedroom apartment with his 12-year-old nephew, Nick. Murray has been unemployed for five months after walking out on his previous job, writing jokes for a pathetic comedian who hosts a children's television show. Nick, abandoned by Murray's sister seven years earlier, now attends a school for gifted children. When Nick writes a school assignment on the benefits of the unemployment system, some of what he writes about his home environment causes his school to send social workers to investigate his living conditions. Confronted by investigators for the Child Welfare Bureau, Murray is given the option of finding a job or losing custody of his nephew. Along the way, Murray charms and seduces Sandra (played by Barbara Harris), the young psychologist assigned to Nick's case. Although Murray tries to avoid returning to work, he finds himself in a dilemma: if he wishes to keep his nephew, he must swallow his dignity and acknowledge his greater responsibilities. When he chooses to go back to work for a man he detests, he ultimately loses the respect of the nephew he so highly prizes. However Nick also stands up for himself, telling the comedian how terrible he is. At the end Sandra and Nick begin to clean the apartment, and a more normal home life, with a stronger child, may be developing.